My English Home

Welcome to My English Home. We have been the official stockist for Annie Sloan Chalk Paint for over 6 years. We also stock a number of luxury brands such as:- Polyvine St Eval StoneGlow Savon De Marseille Made in Italy ladies clothing Gisella Graham Archivist Matches Susan O'Hanlon cards & mugs Lightstyle London Lighting and so so much more....

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Annie Sloan Bookazine

The Colourist issue 1

The Colourist is a unique Bookazine (bigger than a magazine, smaller than a book) dedicated to Annie Sloan’s passion for colour. It is a collectable, bi-annual publication of 132 carefully curated pages bound in a covetable cover. In Issue 1, Annie focused on a Chalk Paint® palette of Antibes Green, Antoinette and Scandinavian Pink. The issue also includes a free Tile stencil designed by Annie Sloan.
£9.99

The Colourist issue 2

The Colourist is a unique Bookazine (editorial like a magazine, no adverts like a book) dedicated to Annie Sloan’s passion for colour. Issue 2 of The Colourist embraces the joy of yellow! This edition of Annie Sloan’s hugely popular Bookazine includes before and after projects, Art & Design icons, an exclusive tour of Annie’s French farmhouse, travel inspiration from Berlin to Brazil and of course, clever paint techniques with step-by-steps. Packed with stunning photography, painted furniture, and history of Art – The Colourist is much more than a lifestyle magazine, and will provide hours of amusement (and beyond!) to Chalk Paint® fans old and new.
£9.99

The Colourist issue 3

The Colourist is a unique Bookazine (editorial like a magazine, no adverts like a book) dedicated to Annie Sloan’s passion for colour. It is a collectable, bi-annual publication featuring 132 carefully curated pages bound in a covetable cover. Issue 3 of The Colourist focuses on blues! Blues are always recessive; meaning they make a space feel bigger by drawing the eye. Other than that, blues can be wildly varied! Cool and icy, warm and sunny, dark and atmospheric, or bright and vibrant, you’ll find inspiring examples of beautiful blues reflecting each of these diverse qualities inside this edition of The Colourist. You can explore Rachael Jackson’s colourful rental home and Adam Calkin’s eccentric English abode; follow Annie through the streets of Morocco; tour Brooklyn with Chalk Paint® Stockist and Big Apple Native Andrea Romeo; discover the healing powers of creative projects; and learn the best way to use the exclusive free Art Deco style stencils included with every copy of the Bookazine. All of this and more in 132 jam-packed paged of deliciously curated style and passion, courtesy of creative gurus the world over!
£9.99

The Colourist issue 4

The Colourist is a unique Bookazine (editorial like a magazine, no adverts like a book) dedicated to sharing Annie Sloan’s passion for colour. It is a collectable, bi-annual publication featuring 132 carefully curated pages bound in a covetable cover. Issue 4 of The Colourist celebrates the 30th anniversary of Chalk Paint® by Annie Sloan. Focussing on a neutral palette of Old White and Graphite with a splash of Lem Lem, this edition also features Pearlescent Glaze, a special, brand new, celebratory product for 2020! In these glossy pages you’ll find an antiques feast in Round Top, Texas; home tours courtesy of the brilliantly eclectic Ildiko Horvath; the amazing space-saving hulls of Trudy Ooyman’s Dutch barge; and the treasure trove of artistry which is Farleys House. Not to mention this season’s must-have Toile patterns and how to use them, as well as a free pull out of Annie’s specially designed Oxford Toile; the career-changing women who took their creative licence-to-kill-business seriously later in life – and how it paid off; the best ways to use whites in your home and with what colour. Last but not least, the beloved step-by-step pages at the back, guaranteed to inspire painters the world over.
£9.99

The Colourist issue 5

The Colourist is a unique Bookazine (editorial like a magazine, no adverts like a book) dedicated to sharing Annie Sloan’s passion for colour. It is a collectable, bi-annual publication featuring 132 carefully curated pages bound in a covetable cover. In Issue 5 we focus on heat and spice; the theme centres on a joyful Chalk Paint® palette of Barcelona Orange, Emperor’s Silk and Antoinette and features exclusive photography from Annie’s trip to India in January 2020. Also featured are “30 Top Tips For 30 Years of Chalk Paint®”, creative lockdown projects by you, home tours and how-tos, career-changing women and the resurgence of chintz. Discover how furniture artists have been inspired by vintage colour theory diagrams, and travel the world of colour – literally and figuratively, from the spice markets of India to the Swedish Archipelagos. This issue also features a vintage-style Cavallini-inspired colour chart poster, designed by Felix Sloan.
£9.99

Annie Sloan Books

Annie Sloan Colour Recipes for Painted Furniture

Featuring 40 inspiring step-by-step projects, this book demonstrates the easy way to upcycle furniture and transform your home. You’ll learn how to work with colour and undertake projects in lots of different styles, including French, Boho Chic, Swedish, Country, and Modern Contemporary. You’ll also learn several techniques such as distressing, colour washing, gilding, decoupage, stencilling, dyeing fabric with paint, and creating limed oak and faux marble effects. Published by CICO Books with commissioned photography by Christopher Drake.
£14.99

Annie Sloan Creating the French Look

The French look is simple but the influences are many. Greys, whites and linens with Toile de Jouy is the most well-known look but we also have chic and quirky Parisian influence, as well as the sunny and bright look from the south. In this book, Annie Sloan uses her vast experience as an interior designer to combine the use of paint, colour and fabrics to create the French look in 25 easy-to-follow projects. Published by CICO Books with commissioned photography by Christopher Drake. SELECT QUANTITY
£12.99

Annie Sloan Paints Everything

In Annie Sloan’s latest book, 40 step-by-step projects will guide you through the methods for using paint in ways you never thought possible. Learn about printing, stenciling, gilding, transferring images, and dyeing fabric, as well as all the secrets of making the most of Chalk Paint®. Find out, too, how to combine colours for different styles, and how to tap into your creativity by painting patterns freehand. No matter what your skill level, Annie Sloan Paints Everything will enable you to make over your home so you have the naturally stylish, individual interior you’ve always wanted. Annie Sloan Paints Everything published by CICO Books (£14.99). Photography by Christopher Drake © CICO Books
£14.95

Annie Sloan Quick And Easy Paint Transformations

Sarah Crawford "in my opinion this is the best book to buy as it covers all the different techniques with a before and after pictures and a step by step guide" Sxxx With this book in one hand and a brush in the other, you can learn how to create different finishes and effects with paint to change everyday rooms and furnishings into something special, all for the price of a pot of paint. ‘Quick and Easy Paint Transformations’ runs through 50 different projects step by step, so you can learn countless techniques such as colour washing, distressing and ageing, paint effects, stencilling, printing, varnishing and glazing. Published by Cico Books with inspirational photography by Christopher Drake.
£14.99

Annie Sloan Workbook

Annie has really thought of everything. This workbook gives you the opportunity to keep a log of your projects, colour mixing recipes, planning your next project and so much more!
£8.99

Annie Sloan's Room Recipes For Style And Colour

With 300 inspirational photographs, this 192-page hardback book examines 9 key interior design styles, ranging from Traditional Swedish to Warehouse. Every page is filled with practical tips and inspiration to help you develop your own style and bring it into your home. Published by CICO books with stunning commissioned photography by Christopher Drake, this is the first book Annie has written with her son, Felix Sloan. SELECT QUANTITY
£25.02

CHARLESTON: A BLOOMSBURY HOUSE AND GARDEN

By Quentin Bell and Virginia Nicholson In honour of Annie’s collaboration with Charleston, we can now offer this authoritative book on Charleston for sale, through our website and Annie’s network of independent Stockists (check availability with them first). Explore the fascinating history of the Farmhouse itself and of the brilliant personalities who lived there. Discover the ideology behind this living shrine to art and design and let the passion for creativity which guided them in their endeavours inspire and influence your own work. In this refreshed edition of the original 1997 publication, Gavin Kingcombe’s specially commissioned photographs breathe life into the colourful interiors and garden of the Sussex farmhouse, while updated text and captions by Virginia Nicholson capture the evolution of Charleston as it continues to inspire a new generation. Taking readers through each room of the house Quentin Bell, son of Vanessa Bell, relives old memories; including having T.S. Eliot over for a dinner party and staging plays in the Studio, while Virginia Nicholson details the artistic techniques (stencilling, embroidery, painting, sculpture, ceramics and more) used to embellish and enliven the once simple farmhouse. Discover more about the Annie Sloan with Charleston collaboration.
£18.99

Annie Sloan Brushes & Tools

Annie Sloan Chalk Paint Brushes

Annie Sloan’s bristle Chalk Paint® Brushes are perfect for producing a textured, vintage finish. The bristles are strong, yet pliable, and are made of predominately pure bristle with natural split ends, allowing you to paint expressively. Available in: Small 22cm x 4.5cm Medium 25cm x 5cm Large 26.5cm x 6.5cm CARING FOR ANNIE SLOAN BRUSHES After painting with Chalk Paint®, squeeze out as much excess paint from your brush as you can, then wash your Chalk Paint® Brush well with warm water to rinse out all the colour and wash with washing up liquid. Hang to dry with the bristles pointing downwards to avoid rust and glue deterioration. Harsh detergents may shorten the life of your natural bristle brushes.
£13.95

Annie Sloan Detail Brushes

Annie Sloan’s Detail Brush set is designed to bring a no-fuss approach to mark-making and decorative paint effects. Ideal for painting fine details and dynamic shapes using Chalk Paint® and Gilding Waxes, the four brushes give great control, amazing precision and ensure an even spread of colour thanks to their soft, durable bristles. One set comes with four brushes; Small Round, Small Flat, Large Round, and Large Flat. CARING FOR ANNIE SLOAN BRUSHES After painting with Chalk Paint®, squeeze out as much excess paint from your brush as you can, then wash your Chalk Paint® Brush well with warm water to rinse out all the colour and wash with washing up liquid. Hang to dry with the bristles pointing downwards to avoid rust and glue deterioration. Harsh detergents may shorten the life of your natural bristle brushes.
£14.95

Annie Sloan Flat Brushes

Annie Sloan’s Flat Brushes feature advanced synthetic fibers, in a vibrant blue, which helps to produce a smooth, contemporary finish. The brushes are designed to take a large amount of paint and to apply the paint evenly, minimising brush marks. Available in: Small 23cm x 3cm Large 26cm x 6cm
£5.95

Annie Sloan MixMat

The Annie Sloan MixMat is the first of its kind – perfect for being inventive with Chalk Paint®. Made from a silicone-like material, the MixMat holds paint on its surface without the paint running off and can be used for colour mixing, charging rollers, stamping, and just about any other use you can think of! The MixMat has Annie’s signature colour triangle on one side, and illustrations from her sketchbook on the revers
£14.95

Annie Sloan Paint Mixing Stick

Annie Sloan Paint Mixing Stick is the perfect tool to ensure that the pigments in your Annie Sloan Chalk Paint are thoroughly mixed, the wide blade and angled tip ensure that the entire contents of your tin are combined. Remember to stir the paint periodically
£1.00

Annie Sloan Sanding Pads

Annie Sloan’s Sanding Pads come in packs of three, with one pad of each grade – fine, medium and coarse. The fine pad can be used for light distressing or flat finishes, and for a delicate worn effect you can use the medium grade pad. If you prefer a rustic heavily distressed look the coarse pad will help make stunning results easy to achieve. They have been carefully chosen by Annie as they are washable, flexible, durable, reusable and a pleasure to use.
£3.95

Annie Sloan Sponge Roller Refill Packs

Our high-quality Sponge Rollers are the perfect complement to the Annie Sloan Stencil collection and applying Chalk Paint® and Lacquer. Refill sponge packs are available in both Large and Small sizes and contain seven replacement sponge heads per pack. Available in: Small Sponge Roller head: 5cm Large Sponge Roller head: 10cm
£8.95

Annie Sloan Sponge Rollers

Our high quality Sponge Rollers are the perfect complement to the Annie Sloan Stencil collection and applying Chalk Paint® and Lacquer. Available in Small and Large, they each feature an ergonomic wooden handle. Refill sponge packs are also available in both sizes and contain seven replacement sponge heads per pack. Available in : Small Sponge Roller head: 5cm Large Sponge Roller head: 10cm
£4.95

Annie Sloan Chalk Paint

Amsterdam Green Annie Sloan Chalk Paint

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£6.95

Antibes Annie Sloan Chalk Paint

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£6.95

Antoinette Annie Sloan Chalk Paint

As a rough guide, one litre of Chalk Paint® covers approximately 13 square metres, or the equivalent of a small welsh dresser or china hutch. For most purposes, one to two coats of paint are enough. Chalk Paint® adheres to almost any surface, and there is rarely any need to sand or prime before painting. See ‘Dealing with stains coming through Chalk Paint®’ for when to prime or sand before painting. You can also paint Chalk Paint® straight over Chalk Paint® Wax without removing the prior finish if you have changed your mind!!! HOW TO CARE FOR A CHALK PAINT® AND WAX FINISH Generally, wiping lightly with a damp/dry microfibre cloth should be sufficient to clean. Stubborn marks on waxed pieces can often be removed with a little Clear Chalk Paint® Wax on a cloth, which acts as an eraser. If you choose to use cleaner you will eventually wear away the wax, but if you would prefer to use a mild surface cleaner apply using a cloth and test in an inconspicuous area first. Regular use of cleaning products may require re-waxing over time. Always use heat mats and coasters to protect your painted and waxed surfaces. Keep away from extreme temperatures or humidity. Like you, your finish prefers a moderate climate! Waxes dissolve in alcohol, so using it on bars is not advisable. Avoid aerosol spray polishes as they may contain solvents or silicone that could dissolve the wax. DEALING WITH STAINS COMING THROUGH CHALK PAINT® If you’re working with new, untreated wood, you’ll need to apply clear shellac (knotting solution) to wood knots and open grains. This will block tannins that can bleed through the paint. On rare occasions, a stain may bleed through your first coat of paint – this is often from a previous oil-based finish and is most likely to happen on old pieces from the 1930s and 1940s. If you see a stain bleeding through the paint, apply a coat of stain blocker (or knotting solution) directly over the paint you have already applied. Treat the whole affected surface to avoid any patchiness in the final finish. One or two coats of blocker applied evenly with a cloth pad will block the stain. It dries in minutes, and then you can get on with your painting. These stains can often be pulled through if Chalk Paint® Lacquer is applied on to Chalk Paint®. If this is the case, do the same steps as above but over the Chalk Paint® Lacquer you’ve already applied. Chalk Paint® is not recommended for teak or other oily woods. Always test, if in doubt! HOWEVER, you could seal the entire piece with shellac before painting ...
£6.95

Arles Annie Sloan Chalk Paint

As a rough guide, one litre of Chalk Paint® covers approximately 13 square metres, or the equivalent of a small welsh dresser or china hutch. For most purposes, one to two coats of paint are enough. Chalk Paint® adheres to almost any surface, and there is rarely any need to sand or prime before painting. See ‘Dealing with stains coming through Chalk Paint®’ for when to prime or sand before painting. You can also paint Chalk Paint® straight over Chalk Paint® Wax without removing the prior finish if you have changed your mind!!! HOW TO CARE FOR A CHALK PAINT® AND WAX FINISH Generally, wiping lightly with a damp/dry microfibre cloth should be sufficient to clean. Stubborn marks on waxed pieces can often be removed with a little Clear Chalk Paint® Wax on a cloth, which acts as an eraser. If you choose to use cleaner you will eventually wear away the wax, but if you would prefer to use a mild surface cleaner apply using a cloth and test in an inconspicuous area first. Regular use of cleaning products may require re-waxing over time. Always use heat mats and coasters to protect your painted and waxed surfaces. Keep away from extreme temperatures or humidity. Like you, your finish prefers a moderate climate! Waxes dissolve in alcohol, so using it on bars is not advisable. Avoid aerosol spray polishes as they may contain solvents or silicone that could dissolve the wax. DEALING WITH STAINS COMING THROUGH CHALK PAINT® If you’re working with new, untreated wood, you’ll need to apply clear shellac (knotting solution) to wood knots and open grains. This will block tannins that can bleed through the paint. On rare occasions, a stain may bleed through your first coat of paint – this is often from a previous oil-based finish and is most likely to happen on old pieces from the 1930s and 1940s. If you see a stain bleeding through the paint, apply a coat of stain blocker (or knotting solution) directly over the paint you have already applied. Treat the whole affected surface to avoid any patchiness in the final finish. One or two coats of blocker applied evenly with a cloth pad will block the stain. It dries in minutes, and then you can get on with your painting. These stains can often be pulled through if Chalk Paint® Lacquer is applied on to Chalk Paint®. If this is the case, do the same steps as above but over the Chalk Paint® Lacquer you’ve already applied. Chalk Paint® is not recommended for teak or other oily woods. Always test, if in doubt! HOWEVER, you could seal the entire piece with shellac before painting ...
£6.95

Athenian Black Annie Sloan Chalk Paint

As a rough guide, one litre of Chalk Paint® covers approximately 13 square metres, or the equivalent of a small welsh dresser or china hutch. For most purposes, one to two coats of paint are enough. Chalk Paint® adheres to almost any surface, and there is rarely any need to sand or prime before painting. See ‘Dealing with stains coming through Chalk Paint®’ for when to prime or sand before painting. You can also paint Chalk Paint® straight over Chalk Paint® Wax without removing the prior finish if you have changed your mind!!! HOW TO CARE FOR A CHALK PAINT® AND WAX FINISH Generally, wiping lightly with a damp/dry microfibre cloth should be sufficient to clean. Stubborn marks on waxed pieces can often be removed with a little Clear Chalk Paint® Wax on a cloth, which acts as an eraser. If you choose to use cleaner you will eventually wear away the wax, but if you would prefer to use a mild surface cleaner apply using a cloth and test in an inconspicuous area first. Regular use of cleaning products may require re-waxing over time. Always use heat mats and coasters to protect your painted and waxed surfaces. Keep away from extreme temperatures or humidity. Like you, your finish prefers a moderate climate! Waxes dissolve in alcohol, so using it on bars is not advisable. Avoid aerosol spray polishes as they may contain solvents or silicone that could dissolve the wax. DEALING WITH STAINS COMING THROUGH CHALK PAINT® If you’re working with new, untreated wood, you’ll need to apply clear shellac (knotting solution) to wood knots and open grains. This will block tannins that can bleed through the paint. On rare occasions, a stain may bleed through your first coat of paint – this is often from a previous oil-based finish and is most likely to happen on old pieces from the 1930s and 1940s. If you see a stain bleeding through the paint, apply a coat of stain blocker (or knotting solution) directly over the paint you have already applied. Treat the whole affected surface to avoid any patchiness in the final finish. One or two coats of blocker applied evenly with a cloth pad will block the stain. It dries in minutes, and then you can get on with your painting. These stains can often be pulled through if Chalk Paint® Lacquer is applied on to Chalk Paint®. If this is the case, do the same steps as above but over the Chalk Paint® Lacquer you’ve already applied. Chalk Paint® is not recommended for teak or other oily woods. Always test, if in doubt! HOWEVER, you could seal the entire piece with shellac before painting ...
£6.95

Aubusson Blue Annie Sloan Chalk Paint

As a rough guide, one litre of Chalk Paint® covers approximately 13 square metres, or the equivalent of a small welsh dresser or china hutch. For most purposes, one to two coats of paint are enough. Chalk Paint® adheres to almost any surface, and there is rarely any need to sand or prime before painting. See ‘Dealing with stains coming through Chalk Paint®’ for when to prime or sand before painting. You can also paint Chalk Paint® straight over Chalk Paint® Wax without removing the prior finish if you have changed your mind!!! HOW TO CARE FOR A CHALK PAINT® AND WAX FINISH Generally, wiping lightly with a damp/dry microfibre cloth should be sufficient to clean. Stubborn marks on waxed pieces can often be removed with a little Clear Chalk Paint® Wax on a cloth, which acts as an eraser. If you choose to use cleaner you will eventually wear away the wax, but if you would prefer to use a mild surface cleaner apply using a cloth and test in an inconspicuous area first. Regular use of cleaning products may require re-waxing over time. Always use heat mats and coasters to protect your painted and waxed surfaces. Keep away from extreme temperatures or humidity. Like you, your finish prefers a moderate climate! Waxes dissolve in alcohol, so using it on bars is not advisable. Avoid aerosol spray polishes as they may contain solvents or silicone that could dissolve the wax. DEALING WITH STAINS COMING THROUGH CHALK PAINT® If you’re working with new, untreated wood, you’ll need to apply clear shellac (knotting solution) to wood knots and open grains. This will block tannins that can bleed through the paint. On rare occasions, a stain may bleed through your first coat of paint – this is often from a previous oil-based finish and is most likely to happen on old pieces from the 1930s and 1940s. If you see a stain bleeding through the paint, apply a coat of stain blocker (or knotting solution) directly over the paint you have already applied. Treat the whole affected surface to avoid any patchiness in the final finish. One or two coats of blocker applied evenly with a cloth pad will block the stain. It dries in minutes, and then you can get on with your painting. These stains can often be pulled through if Chalk Paint® Lacquer is applied on to Chalk Paint®. If this is the case, do the same steps as above but over the Chalk Paint® Lacquer you’ve already applied. Chalk Paint® is not recommended for teak or other oily woods. Always test, if in doubt! HOWEVER, you could seal the entire piece with shellac before painting ...
£6.95

Barcelona Annie Sloan Chalk Paint

As a rough guide, one litre of Chalk Paint® covers approximately 13 square metres, or the equivalent of a small welsh dresser or china hutch. For most purposes, one to two coats of paint are enough. Chalk Paint® adheres to almost any surface, and there is rarely any need to sand or prime before painting. See ‘Dealing with stains coming through Chalk Paint®’ for when to prime or sand before painting. You can also paint Chalk Paint® straight over Chalk Paint® Wax without removing the prior finish if you have changed your mind!!! HOW TO CARE FOR A CHALK PAINT® AND WAX FINISH Generally, wiping lightly with a damp/dry microfibre cloth should be sufficient to clean. Stubborn marks on waxed pieces can often be removed with a little Clear Chalk Paint® Wax on a cloth, which acts as an eraser. If you choose to use cleaner you will eventually wear away the wax, but if you would prefer to use a mild surface cleaner apply using a cloth and test in an inconspicuous area first. Regular use of cleaning products may require re-waxing over time. Always use heat mats and coasters to protect your painted and waxed surfaces. Keep away from extreme temperatures or humidity. Like you, your finish prefers a moderate climate! Waxes dissolve in alcohol, so using it on bars is not advisable. Avoid aerosol spray polishes as they may contain solvents or silicone that could dissolve the wax. DEALING WITH STAINS COMING THROUGH CHALK PAINT® If you’re working with new, untreated wood, you’ll need to apply clear shellac (knotting solution) to wood knots and open grains. This will block tannins that can bleed through the paint. On rare occasions, a stain may bleed through your first coat of paint – this is often from a previous oil-based finish and is most likely to happen on old pieces from the 1930s and 1940s. If you see a stain bleeding through the paint, apply a coat of stain blocker (or knotting solution) directly over the paint you have already applied. Treat the whole affected surface to avoid any patchiness in the final finish. One or two coats of blocker applied evenly with a cloth pad will block the stain. It dries in minutes, and then you can get on with your painting. These stains can often be pulled through if Chalk Paint® Lacquer is applied on to Chalk Paint®. If this is the case, do the same steps as above but over the Chalk Paint® Lacquer you’ve already applied. Chalk Paint® is not recommended for teak or other oily woods. Always test, if in doubt! HOWEVER, you could seal the entire piece with shellac before painting ...
£6.95

Burgundy Annie Sloan Chalk Paint

£6.95

Annie Sloan Mini Project Pack

Annie Sloan Mini Project

It’s easy to brighten up an old bedside table or make your favourite chair feel more ‘you’. Just a little bit of paint and a quick lick of wax goes a long way. Inside our Mini Project Pack, you’ll find everything you need to create your own Annie Sloan masterpiece. Perfect for small projects like a chair, stool or small table: 120ml of Chalk Paint® covers approximately 1.3 square metres. Contains: 3 x 120ml pots of Chalk Paint® (your choice of colours) £5.95 1 x 120ml pot of Clear Chalk Paint® Wax £5.95 1 x Small Chalk Paint® Brush £13.95 Individually priced totals £37.75, a saving of £7.80! YOU MUST ADD YOUR CHOICE OF CHALK PAINT COLOUR AND WAX IN THE NOTES SECTION DURING CHECKOUT. You can choose 4 chalk paints, 4 waxes, or 2 of each. The choice is totally up to you !
£29.95

Annie Sloan Stencil

CHINOISERIE BIRDS

CHINOISERIE BIRDS NEW! Chinoiserie is the extravagant, whimsical, dreamlike 17th Century Western interpretation of Chinese and East Asian artistic traditions. This Chinoiserie Bird stencil design has been inspired in particular by the exquisite hand-painted wallpapers at the palace of Drottningholm in Sweden. Use for an elegant, glamorous, or avant-garde look. Add touches of gold leaf for an authentically palatial finish.
£17.95

COUNTRYSIDE BIRD

COUNTRYSIDE BIRD NEW! Countryside Bird is a simple, classical, pastoral tribute to the glorious English hedgerow. It follows in a tradition of bucolic countryside motifs such as toile, William Morris fabrics, and Francois Boucher’s tapestries. Use for a classical, farmhouse, or romantic effect. Different elements of the design can be repeated around a room for a cohesive look.
£12.95

FAUX BONE INLAY

FAUX BONE INLAY NEW! Paying homage to traditional Indian bone inlay furniture spotted on Annie’s adventures in Rajasthan, the Faux Bone Inlay stencil is made of three separate pieces, including the main inlay pattern and a selection of borders and corners, coming together with smaller embellishments to personalise your pattern. Paint your stencil design with Chalk Paint® in Old White, allow to dry, and follow with Pearlescent Glaze for an authentically Indian mother of pearl look (at a fraction of the cost of Bone Inlay furniture). Faux Bone Inlay is a three-part stencil set.
£24.95

MEADOW FLOWERS

MEADOW FLOWERS NEW! The Meadow Flowers stencil features delicate blooms of cow parsley, daisies, fritillaries, and clover with wild grasses, reminiscent of the blossoms which brighten Port Meadow in Annie’s home of Oxford each summer. This is a thoroughly versatile design in the grand tradition of botanical and floral stencils. It can be adapted to suit traditional, modern, or retro Interiors depending on whether you use neutrals, brights, or strong pastel colours to render the design. Follow from walls to furniture to create a witty wildflower border.
£17.95

MEXICAN BIRDS

MEXICAN BIRDS NEW! These Mexican Birds are inspired by Annie’s love of traditional Otomi embroidery and design from Mexico. Otomi folk artwork centres on themes of native flora and fauna, hence the birds and tropical flowers used here. Traditionally, the Otomi people use bright clashing multicolours to bring joy and colour to their homes, which we think works wonderfully with this design. Alternatively, use tonal shades for a more subtle statement.
£12.95

PAISLEY FLORAL GARLAND

PAISLEY FLORAL GARLAND NEW! The Paisley Floral Garland stencil can be used as a flower string design along horizontal surfaces or repeated to create a high-impact chintz look. The paisley shape synonymous with traditional Indian designs is inspired by the tropical mango – but named after the town of Paisley in Scotland (where many Kashmiri shawls were made). Paint in hot, spicy Chalk Paint® colours or indigo Oxford Navy to channel the Paisley Floral Garlands Annie was inspired by in Rajasthan.
£19.95

Annie Sloan Wall Paint

Annie Sloan Antoinette Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Aubusson Blue Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Country Grey Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Duck Egg Blue Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan French Linen Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Graphite Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Old Ochre Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Old White Wall Paint

Annie Sloan’s tough, water-based Wall Paint takes whatever life throws its way. Everyday spills and marks are cleaned off with ease, making this an exceptionally practical, high-performance paint for walls and ceilings. It’s robust, smooth, and easy to use with a luxurious matt finish and a very slight sheen. Available in 2.5 litres and 100ml sample pots.
£5.95

Annie Sloan Waxes & Finishes

Annie Sloan BLACK CHALK PAINT® WAX

Black Chalk Paint® Wax will give a cool, dark finish to your paintwork, bringing out the texture in brushwork and mouldings, as well as darkening and enriching colours. Use it with Clear Chalk Paint® Wax to seal and protect furniture and walls painted with Chalk Paint® decorative paint. First apply a thin base of clear wax, removing any excess with a clean cloth. Next, apply the black wax, pushing it into the paintwork to bring out brush marks and crevices. Wipe back any excess with clear wax, making sure every part of your piece has been waxed at least once.
£5.95

Annie Sloan CLEAR CHALK PAINT® WAX

USING CHALK PAINT® WAX Chalk Paint® Wax is the perfect complement for Chalk Paint®. It adds durability, deepens the colours slightly and adds a very light sheen. It’s really easy to get sensational results – just use a Chalk Paint® Wax Brush or lint-free cloth to apply the wax to paint. Remove any excess sitting wax with a lint-free cloth. Finishing Chalk Paint® with either wax or lacquer is essential; it will seal your finish for years to come and protect from scuffs and water marks. As a very rough guide, you will need one 500ml tin of wax for every 3-4 litres of paint. This will vary depending on how many coats of paint or wax you use to cover a piece. And it’s always best to have a little wax left over for touching up. With the lid tightly on, it will last indefinitely. LETTING CHALK PAINT® WAX CURE After you’ve applied Chalk Paint® Wax, you’ll find that it will become dry to the touch very quickly. At this stage, it is still what you might call ‘soft’. It will start to harden as the solvents in the wax evaporate. This hardening process is known as ‘curing’. Curing can take between 5 and 21 days depending on ambient temperature. You can use your finished piece straight away, but you may need to treat it with extra care until the wax has cured completely (you might want to use coasters, avoid sharp objects etc). Once cured, a piece of furniture painted with Chalk Paint® and finished with wax will stand up to normal wear and tear. Chalk Paint® Wax is food-safe and toy-safe when completely cured. HOW TO CARE FOR A CHALK PAINT® AND WAX FINISH Generally, wiping lightly with a damp/dry microfibre cloth should be sufficient to clean. Stubborn marks on waxed pieces can often be removed with a little Clear Chalk Paint® Wax on a cloth, which acts as an eraser. If you choose to use cleaner you will eventually wear away the wax, but if you would prefer to use a mild surface cleaner apply using a cloth and test in an inconspicuous area first. Regular use of cleaning products may require re-waxing over time. Always use heat mats and coasters to protect your painted and waxed surfaces. Keep away from extreme temperatures or humidity. Like you, your finish prefers a moderate climate! Waxes dissolve in alcohol, so using it on bars is not advisable. Avoid aerosol spray polishes as they may contain solvents or silicone that could dissolve the wax.
£5.95

Annie Sloan Craqueleur 2 parts

Annie Sloan’s unique Craqueleur is a two-part application that gives an authentic cracked varnish finish ⎯ just like on an Old Master! Step 1 is the base. With Step 2 you can control the size of the cracks ⎯ the thinner you apply it, the smaller the cracks. If you like you can then highlight the cracks with a coloured Chalk Paint® Wax.
£19.99

Annie Sloan DARK CHALK PAINT® WAX

Apply Dark Chalk Paint® Wax to age and give texture to your paintwork. Use it with Clear Chalk Paint® Wax to seal and protect furniture and walls painted with Chalk Paint® decorative paint. To achieve Annie’s signature look, first apply a thin coat of Clear Chalk Paint® Wax, removing any excess with a clean cloth. Next, apply the Dark Wax, pushing it into the paintwork to bring out brush marks and recesses. Wipe off any excess with Clear Wax, making sure every part of your piece has been waxed at least once.
£5.95

Annie Sloan Gold Size

Size is an old English word for glue. Annie Sloan Gold Size is a water-based glue and has the advantage of staying sticky when dry, so it’s perfect for applying either bronze powders or metal leaf quickly and easily.
£5.95

Annie Sloan Image Medium / Decoupage

Annie Sloan’s Image Medium is water-based, fast-drying, and builds up layers very quickly. For fast and beautiful results, you can use it as an adhesive for decoupage or to transfer a printed or photocopied image directly onto a surface. Easy to apply, this glue and varnish gives a beautifully smooth, matt finish.
£8.95

Annie Sloan Metal Leaf

Loose leaf is more affordable than transfer and is perfect for most gilding purposes. It’s particularly good for carved surfaces. We offer leaf metal in imitation Gold, imitation Silver, Copper. Use the leaf with hands lightly dusted with talcum powder and stick the leaf onto a surface coated with Annie Sloan Gold Size. We offer leaf metal in Imitation Gold, Imitation Silver, and Copper. Each booklet contains 25 sheets, enough to cover approximately 0.49m2 / 5.27ft2. Each sheet size is 140 x 140 mm / 5.5 in x 5.5 in.
£6.95

Annie Sloan Metal Transfer

Transfer leaf is useful for gilding large surface areas, such as walls or a large piece of furniture, or working vertically. It is very lightly adhered to a tissue making it possible to pick up and apply the leaf easily with the tissue uppermost. Stick the leaf onto a surface coated with Annie Sloan Gold Size. We offer leaf metal in Imitation Gold, Imitation Silver, and Copper. Each booklet contains 25 sheets, enough to cover approximately 0.49m2 / 5.27ft2. Each sheet size is 140 x 140 mm / 5.5 in x 5.5 in.
£8.95

Polyvine Decorators Varnish

1 LTR Polyvine Decorators Varnish

DECORATORS VARNISH -INTERIOR – EXTERIOR Interior and exterior, quick-drying, water-resistant, stain-resistant, abrasion resistant, microporous, UV filter protection internal wood • fabric • paintwork • wallpaper • plaster • murals • mouldings PRODUCT DESCRIPTION A unique, clear Nano acrylic varnish that uses nanotechnology to protect a wide range of decorative surfaces - paintwork, wallpaper, fabric, wood and plasterwork. available finishes Gloss for a shiny finish, satin for depth and a soft sheen, dead flat for a completely shine-free surface Water-resistant, stain-resistant, heat resistant, and vapour permeable. To seal and protect wallpaper, emulsion/latex, wall paints, plaster, fabrics, decorative paint finishes, INSIDE OR OUTSIDE. UV protective filters - absorb harmful UV radiation, providing colour fade resistance, surface stability, and protection from outdoor weathering. Microporous the special microporous structure, resists water ingress. The water repellent surface is highly durable. the structure allows the finished surface to breathe. The minute micro pores repel mould and other airborne contaminants whilst allowing air to pass through, protecting the decor from algae, mildew and fungal attack. Biocide boost - the finished surface remains free from mould, algae and fungus. Inside and outside. Quick-drying - fast dry and recoat time. SURFACE PREPARATION Ensure the surface to be coated is clean and free from grease, wax or polish APPLICATION Gloss or Satin: Apply 2-3 coats. Dead flat: Apply 1-2 coats. Dilute 10% with water to prime porous surfaces. By good quality synthetic brush, recommended, or by conventional spray or High Volume Low-pressure spray. Rollers are not recommended, stippling may occur. Stir well. If cissing occurs, rub onto the affected area with a damp cloth to break the surface tension and re-apply. Where a dead flat finish with a high degree of protection is required. Apply gloss/satin and finish with a thin coat of dead flat. CAUTION Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over uncured oil paints. Apply dead flat finish sparingly and brush out well, over application could result in misting. Test dead flat finish for misting over dark colours. Test dead flat finish on all wallpapers to ensure compatibility. When applied over emulsion/latex paint, it is possible that Decorators Varnish can draw certain stains through the paint, which would not otherwise be visible. Do not apply over uncured oils. COVERAGE Approx. 15-20 sq. m per litre. CLEAN UP Any equipment used can be cleaned using soap and water before the clear coat dries. Wipe any excess off surfaces with a damp cloth. Any dried deposits will need a paint stripper to remove them.
£19.95

500ML Polyvine Decorators Varnish

DECORATORS VARNISH -INTERIOR – EXTERIOR Interior and exterior, quick-drying, water-resistant, stain-resistant, abrasion resistant, microporous, UV filter protection internal wood • fabric • paintwork • wallpaper • plaster • murals • mouldings PRODUCT DESCRIPTION A unique, clear Nano acrylic varnish that uses nanotechnology to protect a wide range of decorative surfaces - paintwork, wallpaper, fabric, wood and plasterwork. available finishes Gloss for a shiny finish, satin for depth and a soft sheen, dead flat for a completely shine-free surface Water-resistant, stain-resistant, heat resistant, and vapour permeable. To seal and protect wallpaper, emulsion/latex, wall paints, plaster, fabrics, decorative paint finishes, INSIDE OR OUTSIDE. UV protective filters - absorb harmful UV radiation, providing colour fade resistance, surface stability, and protection from outdoor weathering. Microporous the special microporous structure, resists water ingress. The water repellent surface is highly durable. the structure allows the finished surface to breathe. The minute micro pores repel mould and other airborne contaminants whilst allowing air to pass through, protecting the decor from algae, mildew and fungal attack. Biocide boost - the finished surface remains free from mould, algae and fungus. Inside and outside. Quick-drying - fast dry and recoat time. SURFACE PREPARATION Ensure the surface to be coated is clean and free from grease, wax or polish APPLICATION Gloss or Satin: Apply 2-3 coats. Dead flat: Apply 1-2 coats. Dilute 10% with water to prime porous surfaces. By good quality synthetic brush, recommended, or by conventional spray or High Volume Low-pressure spray. Rollers are not recommended, stippling may occur. Stir well. If cissing occurs, rub onto the affected area with a damp cloth to break the surface tension and re-apply. Where a dead flat finish with a high degree of protection is required. Apply gloss/satin and finish with a thin coat of dead flat. CAUTION Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over uncured oil paints. Apply dead flat finish sparingly and brush out well, over application could result in misting. Test dead flat finish for misting over dark colours. Test dead flat finish on all wallpapers to ensure compatibility. When applied over emulsion/latex paint, it is possible that Decorators Varnish can draw certain stains through the paint, which would not otherwise be visible. Do not apply over uncured oils. COVERAGE Approx. 15-20 sq. m per litre. CLEAN UP Any equipment used can be cleaned using soap and water before the clear coat dries. Wipe any excess off surfaces with a damp cloth. Any dried deposits will need a paint stripper to remove them.
£11.95

Polyvine Exterior Wood Varnish

1 LTR Polyvine Exterior Wood Varnish

EXTERIOR WOOD VARNISH PRODUCT DESCRIPTION A waterproof, microporous, UV resistant clear protection for exterior wood. The unique polymer system gives a silky satin finish and highlights the natural grain of the wood. It is suitable for exterior softwood and hardwood timber applications, giving a high level of UV resistance, waterproofing and preservation. A clear acrylic hybrid coating specially formulated to protect exterior wood against ultraviolet light and rain damage, with a durable satin finish. Water-resistant, stain-resistant, heat resistant, and vapour permeable. Available in satin and dead flat. To achieve a dead flat finish, apply 3 coats of satin before a final coat of dead flat. SURFACE PREPARATION Ensure the surface to be coated is clean and free from grease, wax or polish Exterior timber surfaces should always have a 9-degree slope to allow water to flow away and not gather in joints. This helps to prevent water from gathering on horizontal surfaces It is important oil is removed from the surface prior to coating (oily timbers e.g., Teak, Iroko, Rosewood, otherwise that could cause a problem with adhesion, so put some methylated spirits onto a cloth and then give the surface a good wipe down. The important thing is to rotate the cloth around. Polyvine does not recommend using white spirit, when using water-based systems, it can leave a greasy residue on timber, so methylated spirits is better. For very oily, durable timbers like Iroko cellulose thinners may be necessary. APPLICATION General details for preparation of surfaces New wood should be allowed to dry thoroughly before assembly begins. If the wood is green or has been pressure treated allow to dry before coating (below 18% moisture content). New and weathered wood New wood can be contaminated during preparation, or in the machine shop. Weathered wood can already have contaminants on the surface. All contaminants and millwork must be removed from the surface by sanding, 80/120 grit for vertical, 60/80 grit for horizontal surfaces. Fungus, pollen or spores not removed and trapped below the clear varnish will discolour the surface of the timber when exposed to moisture. If contamination is suspected treat timber with a proprietary preservative treatment as recommended by the manufacturer. Previously painted wood Completely remove old coating with 60/80 grit sandpaper. Ensure surface is dry clean and free from dust, follow new and weathered wood instructions. Precoating Fill all joints, Cracks, and nail holes with a good quality Polyurethane or acrylic filler prior to coating. Coating Apply Exterior Wood Varnish liberally with a good quality synthetic brush, apply in the direction of the grain, maintain a wet coat. Allow 4 hrs between coats Best application temperature 10C/50F to 30C/90F. Do not apply in direct sunlight or when rain is imminent. Saturate all end grains. Exterior Wood Clear Coat contains a sophisticated UV filter system, this system will protect to the maximum when the dry film thickness reaches 100 microns. 3 generous coats / 4 standard coats. Windows, doors and exterior furniture, contain a lot of joints and end grain, to ensure maximum life and to avoid coating delamination, the following procedures should be carried out. Coat on all surfaces, inside and outside and all edges. Holes, joints and end grain, saturate liberally with the clear coat, fill with good quality filler as required. Caution: Always apply to a test area before starting work. Care must be taken when applying in high temperature or direct sunlight as this will affect drying time. Do not apply when rain is imminent. Coating life will be reduced on horizontal surfaces and where the coating is in contact with the ground or pooled water Caution Oak The open grain texture of Oak will cause film failure. Varnishes are prone to failure when applied to Oak externally. It is imperative therefore that the grain is filled with coating before further coats are applied. Oak is not as resistant to weathering as oily hardwoods and, therefore, needs better protection when used outdoors. The large open pores make the problem worse providing a route for water-ingress. Blue-stain mould spores are likely to be present on any piece of timber and will be activated by moisture. Another problem with Oak is the high tannin content, if not properly sealed water (rain) can wash the tannin out of the wood leaving a patchy colour and staining to the surrounding areas (bricks, patio, etc.). Pre-conditioning to the correct moisture content is very important. If the Oak is outside the moisture content range of 12-20% there will be excessive movement as it comes to equilibrium. The wood can become split, and the coating film may also split exposing bare wood, providing a route for water-ingress and rapid deterioration of the coating. If this occurs remedial action must be taken immediately to prevent the wood becoming weather-stained. Clean the surface and reapply sufficient coats of the same coating product to fill the cracks/splits. The coating integrity cannot be guaranteed on green oak. Protection of Oak Polyvine Recommend Exterior Interior Wood Oil. Iroko Often known as ‘African Teak’, Iroko is a West African timber. It shares many of the same great characteristics of oak and teak which makes it a popular alternative to those woods. It’s naturally resistant to decay over time and the ravages of insects – meaning that it lasts longer than other woods with little maintenance needed. The heartwood is golden-orange to brown in colour. Lighter vessel lines are conspicuous on flat sawn surfaces. Large deposits of calcium carbonate, with darker coloured surrounding material are usually present. Yellow bands of soft tissue are reported to form a zig-zag pattern on all surfaces. Iroko has a medium to coarse texture, with open pores and an interlocking grain. Endgrain. Diffuse and porous; large to very large pores. A wood that is sometimes resistant to wood finishing products. Iroko contains a non-saturated phenolic compound, which is a powerful anti-oxidant. It is necessary to use oil varnishes without free siccative oils. Oils in the surface of the timber must always be removed before coating application. As you know Iroko is a timber that moves with temperature fluctuations. Protection of Iroko Polyvine Recommend Exterior Interior Wood Oil. Caution Intense exposure to sunlight will cause gradual fading of the timber colour. A pretreatment of Polyvine Wood Colour is recommended in these areas to enhance the timber colour and prevent fading. Application to softwood, knots and resin pockets will bleed through the coating. Maintenance Inspect yearly for signs of wear or damage. Clean surface thoroughly and wash of all cleaning solution. A maintenance coat should be applied every 1 / 3 years on exposed areas, 3 / 4 years on less exposed or sheltered areas. COVERAGE Approx. 10-20 sq. m per litre. CLEAN UP Any equipment used can be cleaned using soap and water before the clear coat dries. Wipe any excess off surfaces with a damp cloth. Any dried deposits will need a paint stripper to remove them.
£22.95

Polyvine Heavy Duty Floor Varnish

1 LTR HEAVY DUTY FLOOR VARNISH

HEAVY DUTY FLOOR VARNISH PRODUCT DESCRIPTION Polyvine Interior Heavy Duty Wood Varnish is composed of a water-based dispersion of cross-linking polyurethane copolymer with surfactants, waxes, and rheology modifying agents. An ultra-hard, high-quality varnish with a satin or dead flat finish that dries to a crystal clear film for interior surfaces requiring a high level of protection such as working surfaces and areas of high wear. Polyvine H/D Floor Varnish is ideal for use on: wood, stone, brick, quarry, tiles, slate, and cork tiles, to give a hard clear protective coating with a high degree of chemical and abrasion resistance. Dries to a satin or dead flat finish, which is capable of withstanding heavy foot traffic after 16 hours curing (20°C/70°F), in such areas as gymnasiums, dance floors, and public halls. SURFACE PREPARATION Ensure the surface to be coated is clean and free from grease, wax or polish. White spirit or sugar soap should be used as cleaning agents. Sugar soap should be rinsed off well with clean water and allowed to dry. If water has been used on bare wood this would raise the grain. The surface then needs to be sanded and vacuumed before coating Wooden floors should be sanded with an industrial sander to ensure a smooth finish. Newly painted wood should first be sanded to provide a key. H/D Floor Varnish should not be applied over uncured oil base paint as this may cause discoloration. Older painted wood, where the paint itself may fail, should be stripped using a hot air gun or a chemical paint stripper, sanded and cleaned prior to coating. When applied over emulsion/latex paint, it is possible that H/D Floor Varnish can draw certain stains through the paint which were not otherwise be visible. In this case a stain sealer should be used. APPLICATION Polyvine H/D Floor Varnish can be applied by brush, spray or roller. Porous surfaces should be primed with H/D Floor Varnish diluted 10% with water, prior to applying a further 2 or 3coats. On wooden floors, light sanding in between coats may be necessary, if there is any raising off the grain. Allow 2 hours in between coats and 16 hours after final coat before full use. Do not use in temperatures below 5 °C / 40° F or in very high humidity. Lower temperatures will slow the final cure time. For a high level of protection and stain resistance apply 2 coats of satin, then 1 coat of dead flat. CAUTION Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over uncured oil paints. COVERAGE Approx. 10-20 sq. m per litre. per coat depending upon the porosity of the substrate. CLEAN UP Any equipment used can be cleaned using soap and water before the clear coat dries. Wipe any excess off surfaces with a damp cloth. Any dried deposits will need a paint stripper to remove them.
£24.95

4 LTR HEAVY DUTY FLOOR VARNISH

HEAVY DUTY FLOOR VARNISH PRODUCT DESCRIPTION Polyvine Interior Heavy Duty Wood Varnish is composed of a water-based dispersion of cross-linking polyurethane copolymer with surfactants, waxes, and rheology modifying agents. An ultra-hard, high-quality varnish with a satin or dead flat finish that dries to a crystal clear film for interior surfaces requiring a high level of protection such as working surfaces and areas of high wear. Polyvine H/D Floor Varnish is ideal for use on: wood, stone, brick, quarry, tiles, slate, and cork tiles, to give a hard clear protective coating with a high degree of chemical and abrasion resistance. Dries to a satin or dead flat finish, which is capable of withstanding heavy foot traffic after 16 hours curing (20°C/70°F), in such areas as gymnasiums, dance floors, and public halls. SURFACE PREPARATION Ensure the surface to be coated is clean and free from grease, wax or polish. White spirit or sugar soap should be used as cleaning agents. Sugar soap should be rinsed off well with clean water and allowed to dry. If water has been used on bare wood this would raise the grain. The surface then needs to be sanded and vacuumed before coating Wooden floors should be sanded with an industrial sander to ensure a smooth finish. Newly painted wood should first be sanded to provide a key. H/D Floor Varnish should not be applied over uncured oil base paint as this may cause discoloration. Older painted wood, where the paint itself may fail, should be stripped using a hot air gun or a chemical paint stripper, sanded and cleaned prior to coating. When applied over emulsion/latex paint, it is possible that H/D Floor Varnish can draw certain stains through the paint which were not otherwise be visible. In this case a stain sealer should be used. APPLICATION Polyvine H/D Floor Varnish can be applied by brush, spray or roller. Porous surfaces should be primed with H/D Floor Varnish diluted 10% with water, prior to applying a further 2 or 3coats. On wooden floors, light sanding in between coats may be necessary, if there is any raising off the grain. Allow 2 hours in between coats and 16 hours after final coat before full use. Do not use in temperatures below 5 °C / 40° F or in very high humidity. Lower temperatures will slow the final cure time. For a high level of protection and stain resistance apply 2 coats of satin, then 1 coat of dead flat. CAUTION Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over uncured oil paints. COVERAGE Approx. 10-20 sq. m per litre. per coat depending upon the porosity of the substrate. CLEAN UP Any equipment used can be cleaned using soap and water before the clear coat dries. Wipe any excess off surfaces with a damp cloth. Any dried deposits will need a paint stripper to remove them.
£82.00

Polyvine Wax Finish Varnish

1LTR Polyvine Wax Finish Varnish

WAX FINISH VARNISH DESCRIPTION Combines the silky feel of wax with the durability of a varnish. Reminiscent of the traditional feel of lovingly preserved furniture. Retains the natural appearance of the wood. The colour transforms the wood, producing subtle even shades, previously only obtainable by Master Craftsmen Interior, the perfect finish on: Wood and MDF, new wood furniture, bookshelves, fire surrounds, kitchen cabinets, staircases, doors Available finishes Satin for depth and a soft sheen, dead flat for a completely shine-free surface, coloured satin to transform wood with subtle, even shades. For a completely non-reflective finish, apply clear dead flat over coloured satin. APPLICATION All surfaces must be clean and free from dust, dirt, oil and contamination. Ensure the product is well mixed but do not shake. Apply sparingly, brush out well using a good quality brush. Apply the first coat and allow to dry. Apply a second coat. On new wood and porous surfaces dilute the first coat 10% with water. Lightly sand wood in between applications to remove any raising of the grain that may have occurred. For a high level of durability and stain resistance, apply two coats of clear satin and one coat of clear dead flat. CLEAR apply a second coat. COLOURS For a deeper colour apply a second coat. If the colour is correct on the first coat, the finish and durability can be greatly enhanced by applying the second coat in clear. For dead flat coloured Wax Finish Varnish apply colour as above and finish with dead flat clear. For increased durability and stain resistance first apply 2 coats of Wax Finish Varnish followed by 1 coats of Wax Finish Varnish Dead Flat. This will result in a slightly brighter finish than using Wax Finish Varnish Dead Flat only. CAUTION Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over uncured oil paints. COVERAGE Approx. 15 sq. m per litre SHEEN LEVEL Dead Flat & Satin CONTAINERS 500ml, 1L, 4L. DRYING TIME 15mins-1 hr, depending on temperature RECOAT TIME 2hrs – 4hrs CURING Protect the finish from water and steam for 5 Days after application CLEANING Clean tools/equipment with warm soapy water, rinse well with clean water, allow to dry naturally. STORAGE Protect from extremes of temperature during storage and application. CAUTION. Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over oil based finishes HEALTH SAFETY AND THE ENVIRONMENT Non-hazardous. Ensure good ventilation. Keep out of reach of children. Contact with eyes-wash immediately with warm water. Remove excess from tools and mixing vessels before washing in warm soapy water. Do not empty containers into drains or watercourses. The information supplied herein is accurate to the best if our knowledge. Since conditions and methods are beyond our control, no warranty is expressed or implied. You are advised to assess the suitability of the product on a test area before application
£19.95

500ML Polyvine Wax Finish Varnish

WAX FINISH VARNISH DESCRIPTION Combines the silky feel of wax with the durability of a varnish. Reminiscent of the traditional feel of lovingly preserved furniture. Retains the natural appearance of the wood. The colour transforms the wood, producing subtle even shades, previously only obtainable by Master Craftsmen Interior, the perfect finish on: Wood and MDF, new wood furniture, bookshelves, fire surrounds, kitchen cabinets, staircases, doors Available finishes Satin for depth and a soft sheen, dead flat for a completely shine-free surface, coloured satin to transform wood with subtle, even shades. For a completely non-reflective finish, apply clear dead flat over coloured satin. APPLICATION All surfaces must be clean and free from dust, dirt, oil and contamination. Ensure the product is well mixed but do not shake. Apply sparingly, brush out well using a good quality brush. Apply the first coat and allow to dry. Apply a second coat. On new wood and porous surfaces dilute the first coat 10% with water. Lightly sand wood in between applications to remove any raising of the grain that may have occurred. For a high level of durability and stain resistance, apply two coats of clear satin and one coat of clear dead flat. CLEAR apply a second coat. COLOURS For a deeper colour apply a second coat. If the colour is correct on the first coat, the finish and durability can be greatly enhanced by applying the second coat in clear. For dead flat coloured Wax Finish Varnish apply colour as above and finish with dead flat clear. For increased durability and stain resistance first apply 2 coats of Wax Finish Varnish followed by 1 coats of Wax Finish Varnish Dead Flat. This will result in a slightly brighter finish than using Wax Finish Varnish Dead Flat only. CAUTION Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over uncured oil paints. COVERAGE Approx. 15 sq. m per litre SHEEN LEVEL Dead Flat & Satin CONTAINERS 500ml, 1L, 4L. DRYING TIME 15mins-1 hr, depending on temperature RECOAT TIME 2hrs – 4hrs CURING Protect the finish from water and steam for 5 Days after application CLEANING Clean tools/equipment with warm soapy water, rinse well with clean water, allow to dry naturally. STORAGE Protect from extremes of temperature during storage and application. CAUTION. Always apply to a test area before starting work. Appearance may vary according to the colour and type of wood and the number of coats. Do not apply over oil based finishes HEALTH SAFETY AND THE ENVIRONMENT Non-hazardous. Ensure good ventilation. Keep out of reach of children. Contact with eyes-wash immediately with warm water. Remove excess from tools and mixing vessels before washing in warm soapy water. Do not empty containers into drains or watercourses. The information supplied herein is accurate to the best if our knowledge. Since conditions and methods are beyond our control, no warranty is expressed or implied. You are advised to assess the suitability of the product on a test area before application
£11.95

Savon De Marseille

Lavande Fleurs

125g French Soap - Lavande Fleurs (Lavender Flowers ) Made in Marseille, France 100% vegetal Enriched with Lavender Essential Oil & Organic Shea Butter Exfoliating soap bar Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

Marine

125g French Soap - Marine (Sea Fresh) Made in Marseille, France 100% vegetal Enriched with Organic Shea Butter Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

80g Natural Solid Shampoo Bar

80g Natural Solid Shampoo Bar A genuine natural solid shampoo for excellent hair quality made with just 5 ingredients. Ecological & Biodegradable - Zero waste. Economical - lasts much longer than traditional shampoos. Suitable for all hair types. Fragrance-free. Without Palm Oil Ingredients: sodium lauroyl methyl isethionate, kaolin, argania spinosa (argan) kernel oil, theobroma cacao (cocoa) seed butter, euphorbia Cerifera (candelilla) cera
£7.50

A L'Huile d'Olive (Olive Oil)

125g French Soap - A L'Huile d'Olive (Olive Oil) Made in Marseille, France 100% vegetal Enriched with Olive Oil & Organic Shea Butter Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

Aloe Vera

125g Savon de Marseille Aloe Vera Made in Marseille, France 100% vegetal Enriched with Organic Shea Butter Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

Argile Verte (Green Clay)

125g French Soap - Argile Verte (Green Clay) Made in Marseille, France 100% vegetal Enriched with Organic Shea Butter Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free /Pigment-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

Bergamote

125g French Soap - Bergamote (Bergamot) Made in Marseille, France 100% vegetal Enriched with Organic Shea Butter Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

Citron

125g French Soap - Citron (Lemon - crushed) Made in Marseille, France 100% vegetal Enriched with Organic Shea Butter Exfoliating soap bar Scented with Grasse fragrances or essential oils Paraben-free / Silicon-free Cruelty-free: Tested on friends, not animals Vegan-friendly
£3.50

St Eval Reed Diffusers

St Eval Bay & Rosemary Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each gift box comes with a frosted glass bottle, 10 reeds, and a bottle of our best-selling Bay & Rosemary fragrance. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Bergamot & Nettle Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each gift box comes with a frosted glass display bottle, 10 reeds, and a bottle of our best selling Bergamot & Nettle fragranced oil; an uplifting, herbal aroma with hints of citrus. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Grapefruit & Lime Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each tube comes with a frosted glass display bottle, 10 reeds, and a bottle of our best selling Grapefruit & Lime fragranced oil; uplifting grapefruit, and freshly squeezed zesty lime. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Orange & Cinnamon Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each gift box comes with a frosted glass display bottle, 10 reeds, and bottle of our best-selling Orange & Cinnamon fragrance; a warm tangy fragrance with hints of spice. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Sea Salt Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each gift box comes with a frosted glass display bottle, 10 reeds, and a bottle of our best selling Sea Salt fragrance; fresh and ozonic with citrus notes evoking the sensation of a fresh sea breeze. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Sensuality Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Delight the senses as each tube comes with a NEW frosted glass pot, 10 reeds, and a bottle of our lovely Sensuality oil; a warming scent with nutmeg, citrus, and vibrant ginger to awaken the senses. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Spring Flower Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each gift tube comes with a NEW frosted glass pot, 10 reeds, and a bottle of our best-selling Spring Flower fragrance. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Tranquillity Reed Diffuser

Introducing our NEW Reed Diffuser packaging, featuring an elegant and simple design in a 100% recyclable cardboard box. Each gift box comes with a frosted glass display bottle, 10 reeds, and a bottle of our best-selling Tranquility fragrance; a relaxing blend of lavender, orange & ylang ylang. The bottle takes 150ml of fragrance, and the reeds are 3mm in diameter and 25cm in length. Both refills and reeds are available to buy separately, see below.
£27.95

St Eval Scented Tin Candles

St Eval Tin Candles

Enjoy our best selling fragrances when you light up one of our hand poured scented tin candles. Each candle has been hand poured at St Eval's farm based factory on the beautiful North Cornwall coast. Enjoy a lovely burn time of about 45 hours Apple & Elderflower:- A succulent crunchy green apple scent combined beautifully with the slightly sweeter scent of elderflower berries Bay & Rosemary:- An invigorating combination of herbal rosemary and cool bay leaf. Sea Salt:- A unique blend of ozonic and citrus scents which are reminiscent of the ocean Tranquillity:- A relaxing blend of lavender, orange & ylang ylang. Grapefruit & Lime:-A delightful citrus blend of uplifting Grapefruit & freshly squeezed zesty Lime. Bergamot & Nettle:- An uplifting, herbal aroma with hints of spice. Inspiritus:- An uplifting blend of aromatic spices, nutmeg, cinnamon and cloves. Sensuality:- A luxurious blend of nutmeg, citrus fruits & vibrant ginger. Thyme & Mint:- Crisp, clear scent of crushed fresh garden mint blended with the herbal scent of thyme Bluebell Wood:- Fresh scent of bluebells Cucumber & Black Pepper:- A clean, fresh revitalising scent Honeysuckle:- The romantic and sweet scent of a wild hedgerow flower. Embers:- The heart warming scent of a real log fire at Christmas Fig:- A clean and refreshing scent with hints of sweet fresh figs. Hay Meadow:- Fresh, uplifting and reminiscent of summertime walks through flower rich hay meadows. Joy:- A light floral fragrance based on mimosa. Lavender:- A relaxing and soothing scent of fresh aromatic lavender. Orange & Cinnamon:- A warm tangy fragrance with hints of spice. Pure Peony:- A romantic, powdery and floral fragrance. Sandalwood:- A blend of warm musk and woody scents. Spring Flower:- Fresh green scent of hyacinth, rose & spring flowers from an English country garden. Tomato & Basil:- The fresh scent of green tomato and sweet basil. Vintage Rose:- The decadent scent of an English Rose garden. Wild Gorse:- One of the classic scents from Cornwall, this is the scent of peaceful Cornish lanes in the spring time, delicious vanilla with just a hint of creamy coconut. Camomile Lawn:- After a meadow of wild Camomile was discovered on the farm here at St Eval Candle Company we couldn't help but be inspired by this wonderful scent.
£11.25

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